Ow Styrya Ilow Kernewek
Defining Cornish Music

Defining Cornish-ness is an age-old challenge – what makes a person (or a piece of music for that matter) Cornish for one person, might not be what makes it Cornish for another. Part of our aim is to represent the breadth and depth of music that is part of Cornish culture, so we’ve carefully considered how wide to cast our net of what to include in an archive of Cornish music. It can be quite the conundrum – consider for example, a piece of music written about Cornwall – but not by a Cornish person? Or, to take the opposite example, written by a Cornish person – but with nothing particularly “Cornish” about the music?

We’ve put our heads together and decided to include music that is, or has been: popular in Cornwall, impactful in Cornwall, written in Cornwall, written about Cornwall, inspired by Cornwall – thus aiming to include individuals, traditions and and compositions that express, reflect and celebrate Cornwall and our distinctive identity.

Most recent articles:
  Penzance was once a treasure-trove of fine church organs, a number of them from the factories of one-time thriving West-Country firms such as H Crabb, Heard & Sons and Hele & Co, the latter firm outlasting the others. There were also instruments by major firms from London and further
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I do not know the origin of this tune used for While shepherds watched their flocks by night. It was written down by my great Grandfather, William Martin, the founder of St Keverne Band in about 1896. It was always sung in St Keverne Chapel for the annual carol service.
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Wendron was sung in St Keverne Chapel for Songs of Praise in October 1968 and was often used by St Keverne Male Voice Choir. (Terry Moyle) Betty Pascoe states, “It was written in appreciation of local people serving in the Second World War and was a great favourite at Trewennack
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