Ow Styrya Ilow Kernewek
Defining Cornish Music

Defining Cornish-ness is an age-old challenge – what makes a person (or a piece of music for that matter) Cornish for one person, might not be what makes it Cornish for another. Part of our aim is to represent the breadth and depth of music that is part of Cornish culture, so we’ve carefully considered how wide to cast our net of what to include in an archive of Cornish music. It can be quite the conundrum – consider for example, a piece of music written about Cornwall – but not by a Cornish person? Or, to take the opposite example, written by a Cornish person – but with nothing particularly “Cornish” about the music?

We’ve put our heads together and decided to include music that is, or has been: popular in Cornwall, impactful in Cornwall, written in Cornwall, written about Cornwall, inspired by Cornwall – thus aiming to include individuals, traditions and and compositions that express, reflect and celebrate Cornwall and our distinctive identity.

Most recent articles:
Sheviock Orchestra (Photo: Ian Whittaker)   “Sheviock Orchestra seems to have operated at the same time as the brass band (early 1900s) but whereas ladies couldn’t be members of the band, the photo shows they were able to play stringed instruments. At least two of my great aunts played string
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The Spinning Wheel, written by Edwin J Williams and played here by his son, Eddie J Williams who was the solo horn player with the Fairy Band. It was recorded on the 4th June 1955.
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"Cornish Trad" traced the story of Mary Kelynack and found a copy of the original music score on the National Library of Australia digital database.
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