Ow Styrya Ilow Kernewek
Defining Cornish Music

Defining Cornish-ness is an age-old challenge – what makes a person (or a piece of music for that matter) Cornish for one person, might not be what makes it Cornish for another. Part of our aim is to represent the breadth and depth of music that is part of Cornish culture, so we’ve carefully considered how wide to cast our net of what to include in an archive of Cornish music. It can be quite the conundrum – consider for example, a piece of music written about Cornwall – but not by a Cornish person? Or, to take the opposite example, written by a Cornish person – but with nothing particularly “Cornish” about the music?

We’ve put our heads together and decided to include music that is, or has been: popular in Cornwall, impactful in Cornwall, written in Cornwall, written about Cornwall, inspired by Cornwall – thus aiming to include individuals, traditions and and compositions that express, reflect and celebrate Cornwall and our distinctive identity.

Most recent articles:
Kanow Dons: Singing for Cornish Dances
Kanow Dons: Singing for Cornish Dances: An Daras Cornish Folk Arts project originally published in 2005 with music and lyrics for Cornish dances.
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our Hymns named after Roseland villages originally composed by local preacher and composer, Bob E. Martyn were arranged for Brass Band by Hannah Hawken as part of the Music of the Roseland Project
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The CNMA worked in partnership with St Gerrans and Porthscatho Old Cornwall Society and the Roseland Music Society to put together a programme of events across 2024 researching, celebrating and sharing the diversity of music found on Cornwall’s Roseland Peninsula.
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