Ow Styrya Ilow Kernewek
Defining Cornish Music

Defining Cornish-ness is an age-old challenge – what makes a person (or a piece of music for that matter) Cornish for one person, might not be what makes it Cornish for another. Part of our aim is to represent the breadth and depth of music that is part of Cornish culture, so we’ve carefully considered how wide to cast our net of what to include in an archive of Cornish music. It can be quite the conundrum – consider for example, a piece of music written about Cornwall – but not by a Cornish person? Or, to take the opposite example, written by a Cornish person – but with nothing particularly “Cornish” about the music?

We’ve put our heads together and decided to include music that is, or has been: popular in Cornwall, impactful in Cornwall, written in Cornwall, written about Cornwall, inspired by Cornwall – thus aiming to include individuals, traditions and and compositions that express, reflect and celebrate Cornwall and our distinctive identity.

Most recent articles:
Quay Fair played at the Rescorla Session Sept 2021 Quay Fair played as part of a set with Boscastle Breakdown and Duncan Hunkin at Benbow Cornish Session Penzance Dec 2022 Audio File: The Quay Fair played by Bagas Porthia at Lowender Peran 2007 The Quay Fair is one of the
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Turkey Rhubarb is a mazurka type dance for couples and was one of the dances performed as part of the Madron Guize Dancer's "Twelfth Tide" when they revived the custom in 1937. 
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Contributed to the Racca project 1995-97. An arrangement by Jim Pengelly of a fragmentary pieces of music provided for Sabine Baring Gould and H Fleetwood Shepherd by Peter Sandry Ervan of St Ervan and Adam Laundry of Launceston and a further source in Liskeard in 1891. Notes Baring Gould Rough
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