Ow Styrya Ilow Kernewek
Defining Cornish Music

Defining Cornish-ness is an age-old challenge – what makes a person (or a piece of music for that matter) Cornish for one person, might not be what makes it Cornish for another. Part of our aim is to represent the breadth and depth of music that is part of Cornish culture, so we’ve carefully considered how wide to cast our net of what to include in an archive of Cornish music. It can be quite the conundrum – consider for example, a piece of music written about Cornwall – but not by a Cornish person? Or, to take the opposite example, written by a Cornish person – but with nothing particularly “Cornish” about the music?

We’ve put our heads together and decided to include music that is, or has been: popular in Cornwall, impactful in Cornwall, written in Cornwall, written about Cornwall, inspired by Cornwall – thus aiming to include individuals, traditions and and compositions that express, reflect and celebrate Cornwall and our distinctive identity.

Most recent articles:
One of the tunes used by the Golowan Band for the processions that take place during the Golwan Festival in Penzance in June.
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A version of the Carol “Gods Own Son” played as 4/4 march for the Racca Project. Dufunyans / Difunyans means awakening in Cornish. Racca – Cornish Tunes For Cornish Sessions Project  1995-97
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  Breannick Feast is the tune that accompanies Giant Bolster as the legend is retold during St Agnes Feast each year at the end of April.   Racca 14 – Cornish Tunes For Cornish Sessions Project  1995-97
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