Ow Styrya Ilow Kernewek
Defining Cornish Music

Defining Cornish-ness is an age-old challenge – what makes a person (or a piece of music for that matter) Cornish for one person, might not be what makes it Cornish for another. Part of our aim is to represent the breadth and depth of music that is part of Cornish culture, so we’ve carefully considered how wide to cast our net of what to include in an archive of Cornish music. It can be quite the conundrum – consider for example, a piece of music written about Cornwall – but not by a Cornish person? Or, to take the opposite example, written by a Cornish person – but with nothing particularly “Cornish” about the music?

We’ve put our heads together and decided to include music that is, or has been: popular in Cornwall, impactful in Cornwall, written in Cornwall, written about Cornwall, inspired by Cornwall – thus aiming to include individuals, traditions and and compositions that express, reflect and celebrate Cornwall and our distinctive identity.

Most recent articles:
An Awhesyth / Lark as collected for the Racca Project 1995-7 See Racca: Cornish Tunes For Cornish Sessions Project Also discussion of song origins and variations: An Awhesyth 
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Cornish version of a tune played across Britain, Ireland and also in New England known variously as Come Dance And Sing, La Belle Catharine, Muffin Man.
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Audio File: Off She Goes as played by Lowender Peran Festival Band 1987 Notes Ralph Dunstan Lyver Canow Kernewek / Cornish Song Book (London Reid Bros,1929), p.76 Racca no. 103 : Racca – Cornish Tunes For Cornish Sessions Project 1995-97
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