Ow Styrya Ilow Kernewek
Defining Cornish Music

Defining Cornish-ness is an age-old challenge – what makes a person (or a piece of music for that matter) Cornish for one person, might not be what makes it Cornish for another. Part of our aim is to represent the breadth and depth of music that is part of Cornish culture, so we’ve carefully considered how wide to cast our net of what to include in an archive of Cornish music. It can be quite the conundrum – consider for example, a piece of music written about Cornwall – but not by a Cornish person? Or, to take the opposite example, written by a Cornish person – but with nothing particularly “Cornish” about the music?

We’ve put our heads together and decided to include music that is, or has been: popular in Cornwall, impactful in Cornwall, written in Cornwall, written about Cornwall, inspired by Cornwall – thus aiming to include individuals, traditions and and compositions that express, reflect and celebrate Cornwall and our distinctive identity.

Most recent articles:
Now Cradock was the Treble man and stepp’d ‘long with his toe; And casting of his eyes around, commanded them where to go. They pulled away with courage bold, which did their hearts revive; Sweet music then was swiftly heard [with] one two three four five. They went out to
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Dancing Above Par
Dancing Above Par – The Dances of John Old 1808 Alison Davey & Mike O Connor In June 2002 researchers, Bob and Jackie Patten, told Mike O’Connor of a manuscript book belonging to Frank Huddy of Chard. He bought it for six (old!) pence after it had been remaindered in
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