Ow Styrya Ilow Kernewek
Defining Cornish Music

Defining Cornish-ness is an age-old challenge – what makes a person (or a piece of music for that matter) Cornish for one person, might not be what makes it Cornish for another. Part of our aim is to represent the breadth and depth of music that is part of Cornish culture, so we’ve carefully considered how wide to cast our net of what to include in an archive of Cornish music. It can be quite the conundrum – consider for example, a piece of music written about Cornwall – but not by a Cornish person? Or, to take the opposite example, written by a Cornish person – but with nothing particularly “Cornish” about the music?

We’ve put our heads together and decided to include music that is, or has been: popular in Cornwall, impactful in Cornwall, written in Cornwall, written about Cornwall, inspired by Cornwall – thus aiming to include individuals, traditions and and compositions that express, reflect and celebrate Cornwall and our distinctive identity.

Most recent articles:
    From the singing of Des Duckham. He was one of the resident performers at the Fal Folk club which met at the Dock and Railway pub in Falmouth. He was a staunch Cornishman and made a point of introducing songs from Cornwall to the singing of the club.
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Sung By St Ives Community Choir at Lowender Peran Sung by Skwardya Notes Trelawny was written by Rev Robert Stephen Hawker in 1824 and apparently inspired by the expression “Here’s twenty thousand Cornish men will know the reason why”. He describes it as “the Song of the Western Men –
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Joseph Emidy’s Memorial at the Seafarer’s Mission, Falmouth The fascinating story of Joseph Antonia Emidy has been mostly gleaned from the autobiography of one of his pupils, the Cornish-born politician and slavery abolitionist, James Silk Buckingham who wrote about Emidy’s life up to 1807. Others have written about him, mostly
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