Ow Styrya Ilow Kernewek
Defining Cornish Music

Defining Cornish-ness is an age-old challenge – what makes a person (or a piece of music for that matter) Cornish for one person, might not be what makes it Cornish for another. Part of our aim is to represent the breadth and depth of music that is part of Cornish culture, so we’ve carefully considered how wide to cast our net of what to include in an archive of Cornish music. It can be quite the conundrum – consider for example, a piece of music written about Cornwall – but not by a Cornish person? Or, to take the opposite example, written by a Cornish person – but with nothing particularly “Cornish” about the music?

We’ve put our heads together and decided to include music that is, or has been: popular in Cornwall, impactful in Cornwall, written in Cornwall, written about Cornwall, inspired by Cornwall – thus aiming to include individuals, traditions and and compositions that express, reflect and celebrate Cornwall and our distinctive identity.

Most recent articles:
This song seems to have started out life as a Naval song under the name of “The Robber's Retreat” at the beginning of the 20th century. It was first recorded in Cadgwith as “The Robber’s Retreat” on a wax cylinder probably during the winter of 1931/32 by American Folk Song
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Morgannow - Cornish Shanties Project. Shanties lend themselves well to being sung in Cornish and are a wonderful way to enjoy the sound and feel of language whether or not you have any previous knowledge. In 2019 Lowender Peran set up an outreach project "Morgannow" to share these songs with
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Jim Pengelly hailed from Padstow in Cornwall where he grew up, hence the name of this book ‘Den Lodenek’ which translated from Cornish means ‘Man of Padstow’.
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