Ow Styrya Ilow Kernewek
Defining Cornish Music

Defining Cornish-ness is an age-old challenge – what makes a person (or a piece of music for that matter) Cornish for one person, might not be what makes it Cornish for another. Part of our aim is to represent the breadth and depth of music that is part of Cornish culture, so we’ve carefully considered how wide to cast our net of what to include in an archive of Cornish music. It can be quite the conundrum – consider for example, a piece of music written about Cornwall – but not by a Cornish person? Or, to take the opposite example, written by a Cornish person – but with nothing particularly “Cornish” about the music?

We’ve put our heads together and decided to include music that is, or has been: popular in Cornwall, impactful in Cornwall, written in Cornwall, written about Cornwall, inspired by Cornwall – thus aiming to include individuals, traditions and and compositions that express, reflect and celebrate Cornwall and our distinctive identity.

Most recent articles:
The lyrics to Lamorna started life as a broadside called “Down to Pomona”. Pomona was a nineteenth century zoological park in Manchester with a notoriously expensive admission fee intended to discourage working class people, thus the twist in the last verse.
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'Bro Goth Agan Tasow' is used in the Gorsedh Kernow ceremonies and published in "Ordenal an Orsedh Kernow". The melody is from the Welsh national anthem, Hen Wlad Fy Nhadau. Cornish words were originally written to this tune by Henry Jenner circa the 1920s.
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This popular song started life as a Charles H Sheffer composition "Liza Loves You" for a Minstrel Show entitled "The Wrong Girl" that toured across the USA in 1885.
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