Ow Styrya Ilow Kernewek
Defining Cornish Music

Defining Cornish-ness is an age-old challenge – what makes a person (or a piece of music for that matter) Cornish for one person, might not be what makes it Cornish for another. Part of our aim is to represent the breadth and depth of music that is part of Cornish culture, so we’ve carefully considered how wide to cast our net of what to include in an archive of Cornish music. It can be quite the conundrum – consider for example, a piece of music written about Cornwall – but not by a Cornish person? Or, to take the opposite example, written by a Cornish person – but with nothing particularly “Cornish” about the music?

We’ve put our heads together and decided to include music that is, or has been: popular in Cornwall, impactful in Cornwall, written in Cornwall, written about Cornwall, inspired by Cornwall – thus aiming to include individuals, traditions and and compositions that express, reflect and celebrate Cornwall and our distinctive identity.

Most recent articles:
'Squire's Song'/'Can Scoswas', from Robert Morton Nance's Cledry plays, was recorded for the Racca Project between 1995 and 1997. The plays were inspired by what Nance called 'guise dance drolls'.
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The story of "Delyow Sevi" is a strange one. It is the one complete folk song that has survived in the Cornish language and yet was completely overlooked in Ralph Dunstan's 1929 Cornish Song Book.
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The story of Trevithick’s steam engine is captured in the song “Camborne Hill”. The exact origins of the song are lost to us and to date no nineteenth century broad sides or song sheets have come to light with the lyrics or tune.
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