Ow Styrya Ilow Kernewek
Defining Cornish Music

Defining Cornish-ness is an age-old challenge – what makes a person (or a piece of music for that matter) Cornish for one person, might not be what makes it Cornish for another. Part of our aim is to represent the breadth and depth of music that is part of Cornish culture, so we’ve carefully considered how wide to cast our net of what to include in an archive of Cornish music. It can be quite the conundrum – consider for example, a piece of music written about Cornwall – but not by a Cornish person? Or, to take the opposite example, written by a Cornish person – but with nothing particularly “Cornish” about the music?

We’ve put our heads together and decided to include music that is, or has been: popular in Cornwall, impactful in Cornwall, written in Cornwall, written about Cornwall, inspired by Cornwall – thus aiming to include individuals, traditions and and compositions that express, reflect and celebrate Cornwall and our distinctive identity.

Most recent articles:
Four Lanes Brass Band
Four Lanes is a village in west Cornwall approximately 3 miles south of Redruth   Unknown formation date. 1856: Mr Frederick Hill for defendant. This was an action to recover a drum. It appeared that a band called the Four Lanes Band practised at Mr Reed’s public house for some
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Gwennap is a village and civil parish about five miles southeast of Redruth   Unknown formation date. 1889: The Gwennap Brass and String Band, assisted the members of the church choir, gave a capital concert. (21 February 1889 – Royal Cornwall Gazette) 1889: During the evening the Gwennap Band, consisting
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Contesting Not all bands enter competitions and there are some which shun the contest stage, preferring to concentrate their efforts in providing music for local events. For most players, though, contesting has always been an important part of brass banding, the reason that they spend so many hours trying to
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