Ow Styrya Ilow Kernewek
Defining Cornish Music

Defining Cornish-ness is an age-old challenge – what makes a person (or a piece of music for that matter) Cornish for one person, might not be what makes it Cornish for another. Part of our aim is to represent the breadth and depth of music that is part of Cornish culture, so we’ve carefully considered how wide to cast our net of what to include in an archive of Cornish music. It can be quite the conundrum – consider for example, a piece of music written about Cornwall – but not by a Cornish person? Or, to take the opposite example, written by a Cornish person – but with nothing particularly “Cornish” about the music?

We’ve put our heads together and decided to include music that is, or has been: popular in Cornwall, impactful in Cornwall, written in Cornwall, written about Cornwall, inspired by Cornwall – thus aiming to include individuals, traditions and and compositions that express, reflect and celebrate Cornwall and our distinctive identity.

Most recent articles:
The dance and tune were transcribed in 1971 by Mrs Esme Francis, the Honorary Harpist for the  Cornish Gorseth. In 2009 she described the circumstances: “A neighbour of mine, farmer John Williams, who lived at Boscreggan Farm,Nanquido, described the Newlyn Reel Dance tome in 1971. He remembered travelling to Newlyn
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As played Lowender Peran 1987 ” I stayed with my aunt Mrs Elsie Millis for several summers between 1969 and returning to Cornwall to live in 1975. Elsie would often talk abut her father, my grandfather Edward Veale, and his interest in Old Newquay and his involvement with the Old
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Lady Eveshams as played at the Seiners Session Perranporth, Oct 2021 Audio File: Lady Evesham’s as played by Festival Band at Lowender Peran 1987 See Cornish Session Tunes Project For more about Cornish Session Tunes Racca: Cornish Tunes for Cornish Sessions Project 1995-97 Fooch 1 & 2 Favourite Cornish Session
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