Ow Styrya Ilow Kernewek
Defining Cornish Music

Defining Cornish-ness is an age-old challenge – what makes a person (or a piece of music for that matter) Cornish for one person, might not be what makes it Cornish for another. Part of our aim is to represent the breadth and depth of music that is part of Cornish culture, so we’ve carefully considered how wide to cast our net of what to include in an archive of Cornish music. It can be quite the conundrum – consider for example, a piece of music written about Cornwall – but not by a Cornish person? Or, to take the opposite example, written by a Cornish person – but with nothing particularly “Cornish” about the music?

We’ve put our heads together and decided to include music that is, or has been: popular in Cornwall, impactful in Cornwall, written in Cornwall, written about Cornwall, inspired by Cornwall – thus aiming to include individuals, traditions and and compositions that express, reflect and celebrate Cornwall and our distinctive identity.

Most recent articles:
Carnmenellis Hill gives its name to the area of west Cornwall, between Redruth, Helston and Penryn. The hill itself is situated approximately three miles south of Redruth   Also known as Penmarth Brass Band.   1891: Carnmenellis Brass Band vat Helston. (21 May 1891 – Cornishman) 1891: The party was
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Carn Brea Village is a village in the civil parish of Carn Brea south of the railway line to Penzance while Tolskithy is to the north     1887/88: Carn Brea Band active (John Brush) Practised in a room lent by Solomon Rogers of the Bassett Arms, Pool. (John Brush)
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Budock or Budock Water is a civil parish, village and former manor two miles west of Falmouth   1897: Budock Water Band active. Seemingly undertook just two engagements. It was possibly a makeshift band of players who wanted to earn a few extra pennies. (John Brush) 1913: Budock Brass Band
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