Ow Styrya Ilow Kernewek
Defining Cornish Music

Defining Cornish-ness is an age-old challenge – what makes a person (or a piece of music for that matter) Cornish for one person, might not be what makes it Cornish for another. Part of our aim is to represent the breadth and depth of music that is part of Cornish culture, so we’ve carefully considered how wide to cast our net of what to include in an archive of Cornish music. It can be quite the conundrum – consider for example, a piece of music written about Cornwall – but not by a Cornish person? Or, to take the opposite example, written by a Cornish person – but with nothing particularly “Cornish” about the music?

We’ve put our heads together and decided to include music that is, or has been: popular in Cornwall, impactful in Cornwall, written in Cornwall, written about Cornwall, inspired by Cornwall – thus aiming to include individuals, traditions and and compositions that express, reflect and celebrate Cornwall and our distinctive identity.

Most recent articles:
  A Table Canon     Among George Lloyd’s papers we have found a most unusual Christmas Carol, written in the form of a ‘table top double canon’ combined so that the sheet music is in the shape of a cross. It is performed by four singers standing or sitting in
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  Circa 1863: Blisland Temperance Band formed. (BBHD) 1866: Blisland Temperance Band’s first recorded engagement was at St Breward. (John Brush) 1872: “No Connection.” To the Editor of the Royal, Cornwall Gazette. Sic, Seeing in your last week’s issue that the St. Breward Temperance Society had just held its annual
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Calstock Brass Band
Calstock is a civil parish and a large village in southeast Cornwall on the River Tamar 6 miles southwest of Tavistock and 10 miles north of Plymouth     Circa 1858: Calstock Brass Band active. (John Brush) Possibly its formation date. 1859: Calstock Band played at Gunnislake, possible its first
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