Ow Styrya Ilow Kernewek
Defining Cornish Music

Defining Cornish-ness is an age-old challenge – what makes a person (or a piece of music for that matter) Cornish for one person, might not be what makes it Cornish for another. Part of our aim is to represent the breadth and depth of music that is part of Cornish culture, so we’ve carefully considered how wide to cast our net of what to include in an archive of Cornish music. It can be quite the conundrum – consider for example, a piece of music written about Cornwall – but not by a Cornish person? Or, to take the opposite example, written by a Cornish person – but with nothing particularly “Cornish” about the music?

We’ve put our heads together and decided to include music that is, or has been: popular in Cornwall, impactful in Cornwall, written in Cornwall, written about Cornwall, inspired by Cornwall – thus aiming to include individuals, traditions and and compositions that express, reflect and celebrate Cornwall and our distinctive identity.

Most recent articles:
Sir Malcolm Arnold   Recorded by the Cornwall Youth Brass Band conducted by Cornishman John Berryman at the 2015 Christmas Concert   Commissioned by the Cornwall Youth Brass Band. In three movements: Round, Cavatina, Galop 1967: The first public performance was by the Cornwall Youth Brass Band conducted by Malcolm
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Sir Malcolm Arnold 1901: Written by Thomas Merritt to celebrate the Coronation of Edwad VII 1967: Arranged for brass band by Malcolm Arnold for the 60th anniversary of the death of Cornish composer, Thomas Merritt 1968: First performed at the concert in Truro Cathedral  to mark the 60th anniversary of
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Paul Saggers   Programme notes (Paul Saggers) “The Eagle has Landed”… is a 6 minute through-composed work for brass quartet written for the 2019 A4 Brass Composition Competition. The composition describes the moments leading up to the Apollo 11 moon landing in 1969 commanded by Neil Armstrong and pilot Buzz
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