Ow Styrya Ilow Kernewek
Defining Cornish Music

Defining Cornish-ness is an age-old challenge – what makes a person (or a piece of music for that matter) Cornish for one person, might not be what makes it Cornish for another. Part of our aim is to represent the breadth and depth of music that is part of Cornish culture, so we’ve carefully considered how wide to cast our net of what to include in an archive of Cornish music. It can be quite the conundrum – consider for example, a piece of music written about Cornwall – but not by a Cornish person? Or, to take the opposite example, written by a Cornish person – but with nothing particularly “Cornish” about the music?

We’ve put our heads together and decided to include music that is, or has been: popular in Cornwall, impactful in Cornwall, written in Cornwall, written about Cornwall, inspired by Cornwall – thus aiming to include individuals, traditions and and compositions that express, reflect and celebrate Cornwall and our distinctive identity.

Most recent articles:
Goff Richards   1978: Written for the West of England Bandsmen’s Festival (Class A). It was dedicated to his father, T Richards of St Minver, former Bandmaster and lifelong member of the Cornish Brass Band Movement.   Used as a contest test piece including: 1978: West of England Bandsmen’s Festival
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Goff Richards   Recorded by the Cornwall Youth Brass Band conducted by Richards Evans at the Tribute to Goff Richards Concert   1984: Written as a test piece for the West of England Bandsmen’s Festival (Class A)   Used as a contest test piece including: 1984: West of England Bandsmen’s
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Goff Richards Commisioned for North West Open B.B. Championships – sponsored by Pilkinton plc in conjunction with Rainford Silver Band. The “Cross Patonce” is the logo of Pilkington Plc. The work is a suite in three movements performed continuously throughout.   Used as a contest test piece including: 1990: Pilkington
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