Ow Styrya Ilow Kernewek
Defining Cornish Music

Defining Cornish-ness is an age-old challenge – what makes a person (or a piece of music for that matter) Cornish for one person, might not be what makes it Cornish for another. Part of our aim is to represent the breadth and depth of music that is part of Cornish culture, so we’ve carefully considered how wide to cast our net of what to include in an archive of Cornish music. It can be quite the conundrum – consider for example, a piece of music written about Cornwall – but not by a Cornish person? Or, to take the opposite example, written by a Cornish person – but with nothing particularly “Cornish” about the music?

We’ve put our heads together and decided to include music that is, or has been: popular in Cornwall, impactful in Cornwall, written in Cornwall, written about Cornwall, inspired by Cornwall – thus aiming to include individuals, traditions and and compositions that express, reflect and celebrate Cornwall and our distinctive identity.

Most recent articles:
Cornish Brass Band Contest results are recorded separately and can be found using this link   Falmouth has a long and somewhat confusing list of brass bands including: Falmouth Blue Bibbon Brass Band, Falmouth Foundry Brass Band, Falmouth Gospel Temperance Brass Band, Falmouth Independent Brass Band, Falmouth Oddfellows Brass Band,
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As played at Benbow Cornish Session     Two versions of Fer Lyskerrys / Liskeard Fair recorded in the Racca Project 1995-1997. Fer Lyskerrys as played by the Lowender Festival Band in 1987 (Version 2) The tune, Liskeard Fair, is noted down in Rev Sabine Baring Gould’s Rough Notebook Vol
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Step or “Scoot” dances like Boscastle Breakdown are a conversation between dancer and musician, a duet between melody and percussion. Both musician and dancer introduce variations to the tune, the percussion, and the speed.
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