Ow Styrya Ilow Kernewek
Defining Cornish Music

Defining Cornish-ness is an age-old challenge – what makes a person (or a piece of music for that matter) Cornish for one person, might not be what makes it Cornish for another. Part of our aim is to represent the breadth and depth of music that is part of Cornish culture, so we’ve carefully considered how wide to cast our net of what to include in an archive of Cornish music. It can be quite the conundrum – consider for example, a piece of music written about Cornwall – but not by a Cornish person? Or, to take the opposite example, written by a Cornish person – but with nothing particularly “Cornish” about the music?

We’ve put our heads together and decided to include music that is, or has been: popular in Cornwall, impactful in Cornwall, written in Cornwall, written about Cornwall, inspired by Cornwall – thus aiming to include individuals, traditions and and compositions that express, reflect and celebrate Cornwall and our distinctive identity.

Most recent articles:
Gareth Cottrell   Original composition written by E J Williams Snr.     Gareth started his musical career at age 12 when Glynn Thomas reformed the Falmouth Town Band.  After rising to Principal Cornet in three years Gareth moved to play with the St Stythians Band, initially on solo cornet
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St Ervan is a rural civil parish and hamlet three miles southwest of Padstow   Unknown formation date. 1886: The audience was very large. The chair was taken by Mr Paul Strongman. The St Ervan Brass Band rendered some choice music. (2 April 1886 – Royal Cornwall Gazette) 1886: Different
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St Buryan is a civil parish and village approximately five miles west of Penzance along the B3283 towards Land’s End   Unknown formation date. 10th Battalion (St Buryan) 3rd Brigade Royal Artillery Volunteers. “Very little happened with this band”. (John Brush) 1870: Having formed a procession, with numerous flags and
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