Ow Styrya Ilow Kernewek
Defining Cornish Music

Defining Cornish-ness is an age-old challenge – what makes a person (or a piece of music for that matter) Cornish for one person, might not be what makes it Cornish for another. Part of our aim is to represent the breadth and depth of music that is part of Cornish culture, so we’ve carefully considered how wide to cast our net of what to include in an archive of Cornish music. It can be quite the conundrum – consider for example, a piece of music written about Cornwall – but not by a Cornish person? Or, to take the opposite example, written by a Cornish person – but with nothing particularly “Cornish” about the music?

We’ve put our heads together and decided to include music that is, or has been: popular in Cornwall, impactful in Cornwall, written in Cornwall, written about Cornwall, inspired by Cornwall – thus aiming to include individuals, traditions and and compositions that express, reflect and celebrate Cornwall and our distinctive identity.

Most recent articles:
The Constantine Funeral Hymn
A funeral hymn appears in the Cornish National Music Archive as Galargan Kostentin – the Constantine in Kerrier Funeral Hymn.1 The notation appears twice; both are unison settings in G minor with essentially the same words. Unfortunately, the annotations to these settings are not the clearest. The purpose of this
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  Troon Methodist Church has gone by several names since it was built in 1863. Originally named Troon Wesleyan Chapel, in the 1930s the church became known as Troon St John’s Methodist Church, and assumed its current name in 1968 after the closure of Troon Chapel Square Methodist Church, which
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We are grateful to Alison England, Edwin Williams’ granddaughter, for granting permission for this composition to be included here.     Please click this link to open a pdf file of the sheet music: Autumn Breezes (Horn Solo) by EJW      
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