Ow Styrya Ilow Kernewek
Defining Cornish Music

Defining Cornish-ness is an age-old challenge – what makes a person (or a piece of music for that matter) Cornish for one person, might not be what makes it Cornish for another. Part of our aim is to represent the breadth and depth of music that is part of Cornish culture, so we’ve carefully considered how wide to cast our net of what to include in an archive of Cornish music. It can be quite the conundrum – consider for example, a piece of music written about Cornwall – but not by a Cornish person? Or, to take the opposite example, written by a Cornish person – but with nothing particularly “Cornish” about the music?

We’ve put our heads together and decided to include music that is, or has been: popular in Cornwall, impactful in Cornwall, written in Cornwall, written about Cornwall, inspired by Cornwall – thus aiming to include individuals, traditions and and compositions that express, reflect and celebrate Cornwall and our distinctive identity.

Most recent articles:
Compiled by Tony Mansell (Bardh Kernow) Updated: 30/3/20   Music Inspired by Cornwall Restormel Castle (march) by Roy Newsome     Written for the Cornwall Youth Brass Band.   The first public performance was in 1973 by the Cornwall Youth Brass Band conducted by Roy Newsome.   Used as a
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Music Inspired by Cornwall   The three movements are Tintagel, Hell’s Mouth and Wrath of Portreath.   The first public performance was in 2010 by the Cornwall Youth Brass Band conducted by Richard Evans.       Darrol was born in Salford and joined the School Band on Eb Bass
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Music Inspired by Cornwall   Published by Jagrins Music Publications.   The title is taken from King Arthur’s legendary dying words, “Bury me in Britain, for I am the Once and Future King”. The Once and Future King is a three movement symphonic suite.   Tintagel: The visit of Arthur, King
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