Ow Styrya Ilow Kernewek
Defining Cornish Music

Defining Cornish-ness is an age-old challenge – what makes a person (or a piece of music for that matter) Cornish for one person, might not be what makes it Cornish for another. Part of our aim is to represent the breadth and depth of music that is part of Cornish culture, so we’ve carefully considered how wide to cast our net of what to include in an archive of Cornish music. It can be quite the conundrum – consider for example, a piece of music written about Cornwall – but not by a Cornish person? Or, to take the opposite example, written by a Cornish person – but with nothing particularly “Cornish” about the music?

We’ve put our heads together and decided to include music that is, or has been: popular in Cornwall, impactful in Cornwall, written in Cornwall, written about Cornwall, inspired by Cornwall – thus aiming to include individuals, traditions and and compositions that express, reflect and celebrate Cornwall and our distinctive identity.

Most recent articles:
St Agnes Male Voice Choir
March 1906 (Photo: courtesy Margaret Davey) Back row: 1) Harries, 2) Osborn, 3) Reynolds, 4) J. Chynoweth, 5) Albert Harper, 6) Willcocks, 7) J. Squire, 8) Tremewan, 9) William Harper. Middle row: 10) Hocking, 11) Mitchell, 12) Letcher, 13) Angwin, 14) Uren, 15) Mitchell, 16) Fred Harper. Front row: 17)
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Salutation By Kenneth Pelmear   Recorded by the Cornwall Youth Brass Band conducted by John Berryman at the 1989 Christmas Concert
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Plenteous Grace (hymn tune) By Kenneth Pelmear Recorded by the Cornwall Youth Brass Band conducted by John Berryman at the 1989 Christmas Concert 2005: Class D test piece at the West of England Bandsmen’s Festival.
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