Ow Styrya Ilow Kernewek
Defining Cornish Music

Defining Cornish-ness is an age-old challenge – what makes a person (or a piece of music for that matter) Cornish for one person, might not be what makes it Cornish for another. Part of our aim is to represent the breadth and depth of music that is part of Cornish culture, so we’ve carefully considered how wide to cast our net of what to include in an archive of Cornish music. It can be quite the conundrum – consider for example, a piece of music written about Cornwall – but not by a Cornish person? Or, to take the opposite example, written by a Cornish person – but with nothing particularly “Cornish” about the music?

We’ve put our heads together and decided to include music that is, or has been: popular in Cornwall, impactful in Cornwall, written in Cornwall, written about Cornwall, inspired by Cornwall – thus aiming to include individuals, traditions and and compositions that express, reflect and celebrate Cornwall and our distinctive identity.

Most recent articles:
Goos Nelson Kan Gernewek dyworth Ragdres Morgannow Note Shanties are part of global maritime culture derived from and inspired by the working songs of the days of sail. It is the nature of shanties that they are readily tailored to individual places and circumstances and this was the case in
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Sav Yn Ban Kan Gernewek gans Skwardya dyworth albom “Onan Warn Ugans”
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Athelstan Kan Gernewek gans Skwardya dyworth albom “Onan Warn Ugans”
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