Ow Styrya Ilow Kernewek
Defining Cornish Music

Defining Cornish-ness is an age-old challenge – what makes a person (or a piece of music for that matter) Cornish for one person, might not be what makes it Cornish for another. Part of our aim is to represent the breadth and depth of music that is part of Cornish culture, so we’ve carefully considered how wide to cast our net of what to include in an archive of Cornish music. It can be quite the conundrum – consider for example, a piece of music written about Cornwall – but not by a Cornish person? Or, to take the opposite example, written by a Cornish person – but with nothing particularly “Cornish” about the music?

We’ve put our heads together and decided to include music that is, or has been: popular in Cornwall, impactful in Cornwall, written in Cornwall, written about Cornwall, inspired by Cornwall – thus aiming to include individuals, traditions and and compositions that express, reflect and celebrate Cornwall and our distinctive identity.

Most recent articles:
Bodmin Wassailers
Each year on 6th January (or the 5th, if the 6th falls on a Sunday), we (a small group of local men) make our way around the Cornish town of Bodmin, singing wassail songs to the locals. We dress in top hat and tails, smart outfits comprised of “gentlemen’s hand-me-downs”
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Children of Life – Roseland School Choir
“Children of Life” was written to commission the opening of a new purpose built music suite at The Roseland School, Tregony, Cornwall and was first performed at the inaugural concert 8th July 1988.
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The Constantine Funeral Hymn
A funeral hymn appears in the Cornish National Music Archive as Galargan Kostentin – the Constantine in Kerrier Funeral Hymn.1 The notation appears twice; both are unison settings in G minor with essentially the same words. Unfortunately, the annotations to these settings are not the clearest. The purpose of this
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