Ow Styrya Ilow Kernewek
Defining Cornish Music

Defining Cornish-ness is an age-old challenge – what makes a person (or a piece of music for that matter) Cornish for one person, might not be what makes it Cornish for another. Part of our aim is to represent the breadth and depth of music that is part of Cornish culture, so we’ve carefully considered how wide to cast our net of what to include in an archive of Cornish music. It can be quite the conundrum – consider for example, a piece of music written about Cornwall – but not by a Cornish person? Or, to take the opposite example, written by a Cornish person – but with nothing particularly “Cornish” about the music?

We’ve put our heads together and decided to include music that is, or has been: popular in Cornwall, impactful in Cornwall, written in Cornwall, written about Cornwall, inspired by Cornwall – thus aiming to include individuals, traditions and and compositions that express, reflect and celebrate Cornwall and our distinctive identity.

Most recent articles:
Milva Kernow – A Cornish Bestiary
The Guize Dance Beasts of Cornwall, history and meaning,
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Echoes Of Old Kea: Mike O’Connor
Extracts from the notebook of John Giddy, Gentleman, 18th century music music in Cornwall.
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A series of articles in the Old Cornwall Journal between 1939 and 1942 carried recollections of the Red Herring / Herring Song. Stanley Pascoe recalled a version given to him by his grandfather, William Pascoe (1838 -1911) who was "born and bred" at St Mawes. Stanley Pascoe explained "there was
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