Ow Styrya Ilow Kernewek
Defining Cornish Music

Defining Cornish-ness is an age-old challenge – what makes a person (or a piece of music for that matter) Cornish for one person, might not be what makes it Cornish for another. Part of our aim is to represent the breadth and depth of music that is part of Cornish culture, so we’ve carefully considered how wide to cast our net of what to include in an archive of Cornish music. It can be quite the conundrum – consider for example, a piece of music written about Cornwall – but not by a Cornish person? Or, to take the opposite example, written by a Cornish person – but with nothing particularly “Cornish” about the music?

We’ve put our heads together and decided to include music that is, or has been: popular in Cornwall, impactful in Cornwall, written in Cornwall, written about Cornwall, inspired by Cornwall – thus aiming to include individuals, traditions and and compositions that express, reflect and celebrate Cornwall and our distinctive identity.

Most recent articles:
The mermaid, or "merry-maid," has haunted the shores of old Comwall from time immemorial, and lured many a Cornish sailor and fisherman ("to whom the supersitions of mermen and mermaidens had the familiarity oa a creed) to a watery grave. The mermaids of St. Just, Zennor, St lvcs, Padstow and
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A Grey Day, lyrics by Kitty Lee, music by Ralph Dunstan published in the Cornish Song Book, Lyver Canow Kernow in 1929. Kitty Lee or Katherine Lee was the pen name of Katherine Jenner, formative member and Bard of Gorsedh Kernow.
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Boats of Sennen, lyrics by Kitty Lee, music by Ralph Dunstan published in the Cornish Song Book, Lyver Canow Kernow in 1929. Kitty Lee or Katherine Lee was the pen name of Katherine Jenner, formative member and Bard of Gorsedh Kernow. She published six novels and and three non fiction
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