Ow Styrya Ilow Kernewek
Defining Cornish Music

Defining Cornish-ness is an age-old challenge – what makes a person (or a piece of music for that matter) Cornish for one person, might not be what makes it Cornish for another. Part of our aim is to represent the breadth and depth of music that is part of Cornish culture, so we’ve carefully considered how wide to cast our net of what to include in an archive of Cornish music. It can be quite the conundrum – consider for example, a piece of music written about Cornwall – but not by a Cornish person? Or, to take the opposite example, written by a Cornish person – but with nothing particularly “Cornish” about the music?

We’ve put our heads together and decided to include music that is, or has been: popular in Cornwall, impactful in Cornwall, written in Cornwall, written about Cornwall, inspired by Cornwall – thus aiming to include individuals, traditions and and compositions that express, reflect and celebrate Cornwall and our distinctive identity.

Most recent articles:
The Zennor Mermaid, George B Millett 1892
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The Cornwall March was included in a publication called “55 Marches for the Militia”, one of many collections of airs, marches , tattoos, and songs that he wrote and published.
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Cornwall’s first Grade I Historic Organ Award In June of 2025 Cornish organ building heritage was recognised with the first Grade I Historic Organ Award from the British Institute of Organ Studies for the 1885 instrument built by Brewer & Co of Truro for the church of St Grada and
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